Fragility of Peace, 2022
Inkjet on billboard paper, 804 x 290 cm



Inspired by the expressiveness of the paintings and frescoes of historical Italian masters and fascinated by the role they played in the world view of the people of that time, I began the series of works Relicts for a Possible Future. Particularly the effect of weathered frescoes as a viewer and the realization that everything that surrounds us is subject to a process of decay and thus only remains as a fragment for future generations became the basis for the work. In search of a similarly functioning dogma in our time, collages were created from collected contemporary newspaper and online media images, which were then transferred on wooden panels and canvases. The result is an anachronistic snapshot of the present, viewed from a distant future. On view at the exhibiton „I Did not See it Coming“at the Lothringer 13 in Munich.


https://www.lothringer13.com/programm/ar/studierende-der-klasse-olaf-nicolai-zu-gast-in-der-lothringer-13-halle/







Relics for a possible future (Playground), 2022
Inkjet on billboard paper, 604 x 600 cm

Inspired by the expressive power of the paintings and frescoes of historical, Italian masters andfascinated by the role they played in the world view of the people of that time, I began the seriesof works "Relics for a possible future". Especially the effect of weathered frescoes on the viewer and the realisation that everything thatsurrounds us is subject to a process of decay and thus only remains as a fragment for futuregenerations became the basis for the work.In search of a similarly functioning dogma in our time, collages were created from collectedcontemporary newspaper and online media, which were then transferred to wooden panels andcanvases. The result is an anachronistic snapshot of the present, viewed from a distant future. The "Playground" series is a continuation of this theme. It brings together collaged images fromeveryday media, photographs taken by myself and images from fictional narratives from cinema, film & series. The result fits into the round arches of the historic building of the ADBK.






Relics for a possible future (Chain of Flow), 2022
Inkjet on billboard canvas, carious dimensions

"Chain of Flow" from the series of works "Relics for Possible Future" thematizes the constant change of nature and the desire for a respectful, tolerant interaction of mankind with his / her environment. The title refers to the Buddhist philosophy of cause and effect. This "chain of causation" implies that every action causes a reaction and every cause produces an effect.
The collage appears as an fanciful composition of our environment. It shows a fusion of different scenarios with or without human intervention, such as architectural compositions, migratory birds, airplanes, shoals of fish, crowds of people in search of a living space to meet their needs....
The series of works "Relics for a possible future" was inspired by paintings and frescoes of historical Italian masters and their role in the worldview of people of that time. Above all, the effect of weathered frescoes on today's viewers and the realization that everything that surrounds us is subject to a process of decay and is thus only preserved as a fragment for future generations, becomes the foundation of the work.
In search of a similarly functioning dogma in our time, a series of collages is created from current image sources of our present. Over a period of months, images that shape our time are collected from video games, newspaper reports, journalism, advertising, film, Netflix, television and the Internet, scanned, digitally collaged and transferred to wooden panels using the acetone transfer technique. The resulting imprint on wood is then photographed and printed in enlarged form. The result is a kind of weathered painting/fresco as an anachronistic snapshot of our present. Similar to how historic, weathered frescoes affect us, they appear as if viewed from the perspective of future generations


Cleaning the Pool (2016)
Digital 4k Video, 23:45 minutes
In Cleaning the Pool (2016) I remove snow from an abandoned swimming pool in the alps of north Italy. The created strokes are only visible from thezenith view, with the pool´s borders framing the scenario. [... ]









Alket Halili & Jonas Kolecki: Untitled (a Conversation)
Skulptur mit 2 Unterschriften, 25 cm x 25cm x 30 cm, 2022 Konzept: Jonas Kolecki
Dreidimensionale Umsetzung: Alket Halili

Was bedeutet es, die Idee für ein Werk zu haben? Wer ist der Autor, wenn die Umsetzung voneiner anderen Person vorgenommen wird? Was passiert, wenn künstlerische Praktiken verschmelzen? Kann das Auslagern eines Werks zum Werk selbst werden? Die Arbeit Untitled (a Conversation) befasst sich mit der Frage der Urheberschaft von künstlerischen Werken, die von einer zweiten Person als Auftragsarbeit realisiert werden. Sie hinterfragt die Dynamik von Arbeit, Autorschaft und künstlerischem Schaffen. Die daraus resultierende Arbeit basiert auf einem Archivfoto von einem "Huhn und einem Ei" als Beispiel für eine klischeebehaftete Annäherung an den Anfang und die Originalität. Kurz gesagt, wer war zuerst da, das Huhn oder das Ei?... Eine Reihe von Fotos dokumentiert den Entstehungsprozess der Skulptur und den Austausch während der Zusammenarbeit. In einem Gespräch zwischen den beiden Autoren, das am 26. November von 16:00 bis 17:00 Uhr live per Videoschaltung stattfindet, werden persönliche Ansichten zur Arbeitsteilung und zu den Möglichkeiten und Problemen der Zusammenarbeit offengelegt. Dabei wird deutlich werden, dass die entstandene Skulptur zwar eine eigene Autonomie und einen individuellen künstlerischen Wert hat, aber letztlich nur ein Index für weitere Gespräche ist.

Jonas Kolecki (Statement)
“Das Werk Untitled (a Conversation) ist eine Hommage an die Abfolge von Tagträumen, Skizzen,Gesprächen, Begegnungen mit neuen Menschen, Schwierigkeiten, Verhandlungen, Zufällen, ermutigenden Worten von Freunden und Vertrauen in und während kreativer Prozesse.”

Alket Halili (Statement)
“It`s very simple. If you have the idea for a work and I execute it, we should both be the authors of the piece.”





Colored Wind (2020)
4k digital anamorphic Video,
31:27 minutesA visualization of the wind´s movement






Untitled (Stones), 2020

various dimensions
river stones, spray paint,
„[...] Between all the remains, however, there were also painted stones that fascinated me. [...] I did not find any signature or name that could allow an assignment. Nevertheless the stones were marked and claimed by someone. This small event raised the essential question for me: “Who does the earth actually belong to?” The work is on show in the exhibition Willi the cat, in dialogue with Little Tejungacanyon Line by Richard Loing, 1984

(source: Fondazione Antonio Dalle Nogare, Bolzano)